Night Owl Table Lamp

Nikolai Wiig Hansen’s inspiration for designing the Night Owl table lamp was the desire to create a Nordic warm and cosy wash of light. The design is effortless and expresses that this is an informal table lamp. It consists of a conical base and oval shade, merging together to form a single unit of balanced proportions. Its organic design gives the lamp a friendly and almost human appearance – it’s a lamp with a personality! The names of the colours are inspired by nature: midnight blue after the infinity blue tone of the sky at twilight; and smokey white after the glowing light of a full moon. Night Owl casts a warm and pleasant downward light. The texture of the natural ash base gives the lamp character, and over time the wood will develop a patina of its own. The shade is fi nished at the bottom by a diffuser which softens the light, as well as preventing glare. The asymmetric shade provides an oval diffusion of the light. The shade can be placed in four different positions, allowing the black cable to exit the lamp in the desired direction. Night Owl is suitable for standing on e.g. a sideboard, shelf, bedside table or in a window.

Details
  • Category
    Table Lamps
  • Range
    Fritz Hansen
Specs / Details

Designer

  • Nikolai Wiig Hansen

Dimensions 

  • 235W x 239Hmm

Materials 

  • Ash Wood or Aluminium 

Finishes 

  • Shade Finishes: Midnight Blue or Smokey White Lacquer
  • Base Finishes: Ash Wood or Aluminium 
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Established in 1997, Cult (formerly Corporate Culture) formed to provide not only exceptional designer furniture, but also a high level of customer service, a combination not yet experienced in the Australian marketplace.

In his endeavours since then, company founder and director Richard Munao has built one of the most comprehensive collections of brand partners in Australia and New Zealand. Cult has grown from its first location in Sydney to now include showrooms in Melbourne, Brisbane and Auckland as well as distributors in Canberra, Adelaide and Perth.

In addition to founding Cult, and supporting strong international partners like Fritz Hansen, Carl Hansen & Son, &Tradition, HAY and Gubi, Richard is actively involved in discovering and mentoring emerging Australian and New Zealand design talent. As founder of Cult’s Design Journey Competition, which began in 2004, Richard gives designers throughout Australia and New Zealand the opportunity to have their designs prototyped and put into production.

Cult.

Design first.