In 1998, Nanna Ditzel added a bar stool to her award-winning Trinidad collection. She found inspiration in the elaborate fretwork from the so-called Gingerbread Facades that she had seen whilst on holiday in Trinidad.The sliced and curved back shell provides unparalleled seating comfort, with optional fabric or leather seat upholstery. With Trinidad, Nanna Ditzel turned the modernist mantra of material reduction against its original intent. The CNC cutout fretwork from the curved shell not only lightens the visual density of the chair, but it also functions as a decorative element.
In 1998, Nanna Ditzel added a bar stool to her award-winning Trinidad collection. She found inspiration in the elaborate fretwork from the so-called Gingerbread Facades that she had seen whilst on holiday in Trinidad.The sliced and curved back shell provides unparalleled seating comfort, with optional fabric or leather seat upholstery. With Trinidad, Nanna Ditzel turned the modernist mantra of material reduction against its original intent. The CNC cutout fretwork from the curved shell not only lightens the visual density of the chair, but it also functions as a decorative element.
In 1998, Nanna Ditzel added a bar stool to her award-winning Trinidad collection. She found inspiration in the elaborate fretwork from the so-called Gingerbread Facades that she had seen whilst on holiday in Trinidad.The sliced and curved back shell provides unparalleled seating comfort, with optional fabric or leather seat upholstery. With Trinidad, Nanna Ditzel turned the modernist mantra of material reduction against its original intent. The CNC cutout fretwork from the curved shell not only lightens the visual density of the chair, but it also functions as a decorative element.