Riverton South Sea Spray Mural ‘The Crossing’ Trustme X Flox 2019

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Our work considers the idea of dual identity and the notion of belonging, or not.

The history of the Fouveaux Straight area features some of the first examples of intermarriage between Māori and Pākehā and signalled what could be considered the beginning of modern New Zealand society. Both names “Riverton” and “Aparima” can be seen incorporated and overlaid across the entire artwork, illustrating notions of diversity and inclusiveness.

In this way, the son and daughter of the whaler and early settler John Howell and his wife Kohi Kohi (the daughter of chief Patu of Centre Island/Raratoka) mark the bi-cultural foundation of Aparima and Aotearoa. Their children, George and Sarah/Teriana Howell are representative of a journey towards bi-culturalism that is still underway today as depicted in the artwork through the use of their initials “G” and “T”.
The mural employs local iconography including bull kelp, traditionally used to wrap and preserve the Tītī or mutton bird and references to whaling activity and how this has changed over time.

The Tītī is employed as an embodiment of the people who lived and worked in Aparima and simultaneously acknowledges those who have gone before and those who are here now. It is fair to say that navigating between traditional iwi norms and the European centric traits of the colonial society had a dislocating effect on the sense of identity and belonging for some of those existing between these two cultural spaces.
While acknowledging this as a historical characteristic of our national story, these are in fact very contemporary issues that many people grapple with today within a multifaceted and increasingly complex world. Our work simply acknowledges that identity and belonging are both personal and pertinent ideas that we all pursue in the fulfilment of self.

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Riverton South Sea Spray Mural ‘The Crossing’ Trustme X Flox 2019

Our work considers the idea of dual identity and the notion of belonging, or not.

The history of the Fouveaux Straight area features some of the first examples of intermarriage between Māori and Pākehā and signalled what could be considered the beginning of modern New Zealand society. Both names “Riverton” and “Aparima” can be seen incorporated and overlaid across the entire artwork, illustrating notions of diversity and inclusiveness.

In this way, the son and daughter of the whaler and early settler John Howell and his wife Kohi Kohi (the daughter of chief Patu of Centre Island/Raratoka) mark the bi-cultural foundation of Aparima and Aotearoa. Their children, George and Sarah/Teriana Howell are representative of a journey towards bi-culturalism that is still underway today as depicted in the artwork through the use of their initials “G” and “T”.
The mural employs local iconography including bull kelp, traditionally used to wrap and preserve the Tītī or mutton bird and references to whaling activity and how this has changed over time.

The Tītī is employed as an embodiment of the people who lived and worked in Aparima and simultaneously acknowledges those who have gone before and those who are here now. It is fair to say that navigating between traditional iwi norms and the European centric traits of the colonial society had a dislocating effect on the sense of identity and belonging for some of those existing between these two cultural spaces.
While acknowledging this as a historical characteristic of our national story, these are in fact very contemporary issues that many people grapple with today within a multifaceted and increasingly complex world. Our work simply acknowledges that identity and belonging are both personal and pertinent ideas that we all pursue in the fulfilment of self.

Visit professional's website
Enquire about the process / fees
Contact details

Professionals used on this project

Done tagging
Full screen

Riverton South Sea Spray Mural ‘The Crossing’ Trustme X Flox 2019

Our work considers the idea of dual identity and the notion of belonging, or not.

The history of the Fouveaux Straight area features some of the first examples of intermarriage between Māori and Pākehā and signalled what could be considered the beginning of modern New Zealand society. Both names “Riverton” and “Aparima” can be seen incorporated and overlaid across the entire artwork, illustrating notions of diversity and inclusiveness.

In this way, the son and daughter of the whaler and early settler John Howell and his wife Kohi Kohi (the daughter of chief Patu of Centre Island/Raratoka) mark the bi-cultural foundation of Aparima and Aotearoa. Their children, George and Sarah/Teriana Howell are representative of a journey towards bi-culturalism that is still underway today as depicted in the artwork through the use of their initials “G” and “T”.
The mural employs local iconography including bull kelp, traditionally used to wrap and preserve the Tītī or mutton bird and references to whaling activity and how this has changed over time.

The Tītī is employed as an embodiment of the people who lived and worked in Aparima and simultaneously acknowledges those who have gone before and those who are here now. It is fair to say that navigating between traditional iwi norms and the European centric traits of the colonial society had a dislocating effect on the sense of identity and belonging for some of those existing between these two cultural spaces.
While acknowledging this as a historical characteristic of our national story, these are in fact very contemporary issues that many people grapple with today within a multifaceted and increasingly complex world. Our work simply acknowledges that identity and belonging are both personal and pertinent ideas that we all pursue in the fulfilment of self.

Visit professional's website
Enquire about the process / fees
Contact details

Professionals used on this project

Done tagging
Full screen