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‘The Art history clearly defines the artistic movements according to their main features, achievements, revolutions, decays and representatives. Thus, all artistic schools had a genesis, an evolution and a moment of fulfillment, evidenced in the work of their exponents. To quote lightly only some tendencies; without being an expert, it is familiar to me mentioning that French Impressionism, with a pictorial language based on very subjetive representations of reality, in spaces that transmit amplitude, depth and distances in a single stroke, in a stain, or in a juxtaposition of colors.
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