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Collaborative Exhibition with Kate Serebrianskaia at Föenander Galleries

Written by

Good Form

20 September 2026

 • 

3 min read

Kate Serebrianskaia, Things are changing but I am still here, 2026. Acrylic fluid and ink on canvas. from Good Form.

Cell Candleholder by Zaha Hadid Design from Good Form.
Kate Serebrianskaia, Things are changing but I am still here, 2026. Acrylic fluid and ink on canvas. from Good Form. Cell Candleholder by Zaha Hadid Design from Good Form.
Good Form together with Föenander Galleries are pleased to present a collaborative exhibition with debut artist Kate Serebrianskaia In This Moment, A Second Lasts Forever which runs 5 – 25 March, 2026 at Föenander Galleries.

Many visitors to the gallery will be aware that we have fostered a joint art and design collaboration throughout the years with a number of galleries. Proudly for the last few years we have partnered with Föenander Galleries, led by Elle Föenander and James Brown. It has added depth to the presentation of our space with a selection of works from leading contemporary artists to view while experiencing the furniture and design pieces. 

More recently Elle has invited Good Form director Emma Eagle to join her in curating the debut show for an emerging artist Kate Serebrianskaia. 

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In This Moment, A Second Lasts Forever
5 – 25 March, 2026

Location –
Föenander Galleries
1 Faraday Street Parnell

Föenander Galleries have added depth to the presentation of the Good Form gallery space with a selection of works from leading contemporary artists to view while experiencing the furniture and design pieces.

Together, Emma and Elle have shaped a space that invites viewers to encounter her work through a considered selection of objects from Good Form – pieces that respond to her concepts, scale, and chromatic language. We embraced contrast as a curatorial gesture, drawing attention to unexpected duotones and subtle tensions. Vintage and contemporary design pieces from Good Form sit in quiet dialogue throughout the gallery, creating an intuitive, three-dimensional journey that moves between artwork and object with ease.

We embraced contrast as a curatorial gesture, drawing attention to unexpected duotones and subtle tensions.

Exhibition Text by Emma Eagle

Across the space, spectrums unfold – of paint, of material, of tone. As we developed the exhibition, we found ourselves searching for ways to articulate the experience of the works: how to describe colour that feels immersive, how to give language to surface, depth, and subtle changes. Spending time with Kate’s paintings prompted a reflection on how words, too, might create a spectrum – how language could echo the same shifts, bleeds, and transitions found within her canvases.


Subtle – Subdued
Meditative – Monotone 
Raw – Radiant
Disciplined – Deliberate 
Minimal – Measured
Subtle – Serene 
Compose – Controlled
Stable – Supple
Duotone – Devotion
Luminous – Lyrical
Present – Punctuated 
Textured – Tempered 
Restless – Ravenous 
Obnoxious – Opulent
Theatrical – Trance 
Wild – Wishful
Rapturous – Reverie
Nirvana – Nebula
Blissful – Bloom 
Subside – Surrender
Reflection – Resonance

Across the space, spectrums unfold – of paint, of material, of tone. As we developed the exhibition, we found ourselves searching for ways to articulate the experience of the works: how to describe colour that feels immersive, how to give language to surface, depth, and subtle changes.