By Architectus
Linwood College in Christchurch has been replaced with a rejuvenated campus, called Te Aratai College, that seeks to create a stronger sense of community, while still honouring the learners as individuals. After the 2011 earthquakes, even though the original school was not extensively damaged, there was an opportunity to rejuvenate the school with a campus that could attract new learners and connect with the community.
Architectus was brought on board to realise the new design, and principal Carsten Auer says the brief had student success as the central focus.
“The brief for the project was based on the pedagogical principles that the college wanted to introduce, but it had an extra element to the brief, which was to increase the appeal of the school to the broader community in the southeastern suburbs of Christchurch.”
The college is located within a developing area, and it was important for the new design to support every learner to feel part of the community, “but also to be recognised as an individual – in terms of their skills and their future pathways.”
The idea of a pathway is closely related to the cultural narrative that drove the project. Te Aratai means ‘pathway to the sea’, and was gifted by the local iwi Ngāi Tūāhuriri due to the significant rivers Ōtākaro and Ōpāwaho which lead to the estuary nearby, Te Ihutai.
At the centre of the school’s design is a whare.
“It reflects the college's relationship with mana whenua, and it anchors the college in its broader cultural context.”
Prioritising community connection within the school was key to the format of the buildings. For example, the creativity and innovation building, which contains the arts and ‘maker’ spaces, is located at the road frontage, so that when people come into the school they get a real sense of the learnings going on.
“The second aspect of community is around how the buildings are orientated to shape and enclose around a central courtyard. The large eaves of the building also give a sense of shelter, and a sense of protection to the students,” says Carsten.
Three key materials were used to facilitate those connections with the courtyard: extensive glazing reinforces the linkage between the interior and exterior learning spaces; concrete provides a robust surface; and on the upper levels, the predominant material is a fibre cement cladding system from The Building Agency and installed by Symonite.
Project lead Daniela Vaníčková says the exterior material and colour palette were also chosen to enhance the sense of ease and connection within the school and the surrounding environment.
“The colours were selected to give the building scale and break it down into more manageable parts. The selection of colours relates to the Port Hills, which have these traditional South Island colours – light yellows, light greens, and autumnal tones.”
These colours continue in the interior through acoustic panels, bringing warmth to the classrooms, while also providing an easy way for new students and visitors to navigate the school.
“Every building is colour coded, which helps orientation within the college for the students and for the visitors. So the gymnasium is yellow, the multipurpose hall is teal, the creativity and innovation hub is blue, and the learning hub is green.”
The interior materiality also responds to the functionality of the spaces, ensuring products are both noise dampening and robust. In the classrooms there’s a combination of carpeted floors, soft furnishings and AUTEX wall coverings, which ensure good acoustics for learning. In the ‘maker’ spaces, resilient wet area flooring facilitates easy clean-up and in some of the communal areas polished concrete elevates the feel of the spaces.
Thus far, the materials have proven robust enough to handle the students, who appear to be thriving in their new campus.
Certainly, the proof is in the pudding when it comes to the success of the design, and since the school opened the roll has climbed rapidly from 650 to 850 students.
Carsten says it’s an incredibly satisfying outcome for the design team.
“It's always satisfying to see the spaces we design come to life, but the most satisfying thing has been seeing the roll growth and the college already needing to think about the next stages because of the popularity of the school in its community.”
Words: Jo Seton
Photography: Sarah Rowlands
Architectus is an architecture and urbanism practice designing places and spaces tuned to their communities, context and culture. Advocates for integrated design, we apply a rigorous and tailored approach to create environments that are inspiring and enduring.
For over 30 years, we have been realising innovative and bespoke projects around Aotearoa New Zealand, shaping precincts and campuses with people and sustainability at their heart. Through a collaborative and integrated approach, we have had many successful joint ventures with local and international partners, and we enjoy a strong relationship with our associated studios in Australia.
Our Purpose
We believe architecture begins with a social agenda. It must nurture and grow communities and individuals, and enhance its neighbourhood and city. Appropriate, efficient and elegant architecture for today becomes the urban fabric of the future – we design for this longevity, to create places that will serve generations to come.
Design Philosophy
While a good project must firstly solve practical needs and be viable, a truly great project must embody a community’s broader cultural context: its urban and architectural setting, its local geography and ecology, and the stories of its people. The more meaningful a place becomes through a true sense of belonging, the greater the value and longevity it has for its community.
We believe placemaking in Aotearoa is grounded in a bicultural creative process. We partner with mana whenua to embed their aspirations and cultural narratives across functional, ceremonial, spatial and artistic dimensions.
Underpinning these human stories is our responsibility to be judicious with natural resources. Environmentally sensitive architecture requires us to be energy-efficient and space-efficient, and to use low-carbon materials and ethically sourced products.
This is a holistic approach that embeds our practice in a continuum of artistic and technical progress, so the architecture we are responsible for will be relevant for decades to come.