By Topology Studio
This proposal for a temporary pavilion in the grounds of Melbourne’s National Gallery of Victoria (NGV) explores how an impermanent structure might be expressed in a fluid and temporal way.
The design references important moments in the NGV’s collection and its architecture to conceive an evocative and memorable site-specific installation.
A new gallery space is defined by walls of sheeting water. Willem de Kooning’s Standing Figure is enclosed within the walls. One-way glass mirrors on the ceiling and the end wall engage the viewer in a game of light, space and optical illusion, and re-present the sculpture in a new paradigm. The kinetic installation is intended to provide an emotional spatial experience that propels the audience to engage with the artwork and interact with the cascading water.
Architecturally, the installation mirrors the proportions of Roy Grounds Great Hall and draws inspiration from the enduring appeal of the water wall at the gallery entrance. It is also inspired by artworks from the NGV collection, including Bill Viola’s Ocean without a shore and Donald Judd’s Untitled (1969–71).
The Water Gallery is accessed using bright yellow umbrellas, creating a sense of joy and theatre through the audience’s interactions with both the gallery and the art that it holds.
Topology Studio was founded by directors Amy Hallett and Darren Kaye in 2012. Together, Amy and Darren bring to their practice a combined 40 years of experience in delivering projects with inherently complex and unique briefs, and a passion for exacting design standards.
Topology Studio’s designs are informed by the unique attributes of each site, in particular, the physical landscape and the climatic conditions, to create bold, rich and meaningful places. Their work combines a design-intensive, creative approach with robust, process-driven architecture.
Having spent a decade as Associate Director at one of Australia’s most respected architecture practices, Darren has extensive experience leading residential, commercial and hospitality projects across all scales. His innovative approach to design is driven by an interest in the way sustainability principles can enhance the inhabitant’s experience of architecture, as well as the broader environment.
Amy’s experience working for leading design architects has developed her passion for detail and conceptual legibility. She has worked on numerous public, residential and educational projects in Australia and overseas, notably The British Library Centre for Conservation and The Jewish Museum in London. Having a young family has provided new insight into designing for children and families in both the residential and public spheres.